Tuesday, March 8, 2016

Scandalous!

Verna Gardner
Drunk people are easier targets. They can also make you drunk, which has been the source of some of Verna's sire's unending anxiety about her hunting them. A drunken fledgling is a walking Masquerade violation waiting to happen, right?

Verna, therefore, never feeds on the falling-down, the blacked-out, the besotted. She's a good little girl, you see? Good, quiet, reserved, sitting at a table in the middle of this thin building, appearing to nurse something red. But everything in the room is red. It may very well be something blue she's not sipping on under all that light.

As for an outfit today, she sports a black (possibly some other dark color) pencil skirt with a pastel-and-polka-dot top, trying to be -- if not sexy, then at least appealing, in an academic, librarian sort of way.

She also doesn't have anyone else at her (admittedly small) table. The place is packed. Might be, the only way to find a perch is to share one...

Riley Kingsley
Riley had wandered into the thin man, her high heels clicking against the tiled floor as she came into view.  She had a vibrant energy on her face as she walked up to the bar and then beside it, her fingers touching the bartop for a moment as she gets her hand on something brown and alcoholic, though takes no sip from it.  Instead she picks it up and keeps sauntering by, seeming to drink in any looks she gets as she walks.

She was wearing a short black dress that hugged her curves and left little to the imagination, reaching down and ending only a few inches down her thighs.  Her red hair straightened and cascading down her right shoulder as she walks a bubbly grin on her face, her clutch in her other hand as she notices only one teeny tiny table left.

She slides to the side of the table, looking at Verna for a moment and taking in the look as her eyes moved to the empty spot "Don't suppose you mind sharing a table?  while I love my heels, my feet hate them." she smiles warmly to verna

Verna Gardner
Verna's eyes travel down the form of the woman who just addressed her, taking in the sights. Indecent sights. Ugh, what is she, a... prostitute? Oh, if only someone nice were to have taken advantage of the empty seat instead!

"I can't even imagine why not," Verna says, "I mean, those must be what, 5 inches?"

If there's a bit of a judgy tone there, it might not be Riley's imagination. One can only guess how the exceedingly proper girl truly feels about stripper heels.

"You... you can sit. Go on, rest your feet."

Riley Kingsley
Riley grins in response to that, and if she caught the judgy tone she didn't look bothered as she slides into the seat, crossing her legs out of necessity as she looks over verna again curiously.

"You've got a good eye, 5 inches." she wiggled her foot in her direction showing them off, the same shade of black as her dress "How else would I reach anything?" she giggled as her eyes roamed the candy that was in the bar.

"Got some eye candy making the rounds tonight." she glances to verna "See anything fun?"

Verna Gardner
Verna shrugs. Perhaps if she could blush, she would, but no. It'd be hard to tell, in this place anyway.

"I'm afraid I don't know what you mean. Fun eye candy?"

Listen, lady, Verna is not one of your profession, okay? She's not here looking to turn tricks. It might feel like that at times, but... No. No. This has nothing to do with that.

Riley Kingsley
Her finger would trace the top of her glass as she shook her head "Come on now, you know, someone you'd like to take home tonight." she would start moving her hand around and pointing "Like him." a rather tall gentlemen with a impeachable chin "or her" point to a blond number who was chatting with her friends who had quite the...endowments "or even him" a more hipstery looking man

Her eyes dancing back to Verna and her lack of interest "Eye candy is the people you wanna steal away and do nasty things to."

Verna Gardner
The first two, Verna actually follows. The hipster, however, she crinkles her nose at. No, thank you. Gague piercings give her gas, apparently.

"I don't know what gave you the impression that I do 'nasty things'." Verna says, even though her eyes slide right back to the blonde woman. Biting people probably does count as a nasty thing, really.

She sighs.

Riley Kingsley
its her turn to give a small shrug, leaning back and smiling as she closes her eyes "Because everyone wants to do nasty things to eachother, indulge in pleasures.  they try to convince themselves that they are above it all but they all ache to be released from those chains."

her eyes opening up and watching verna with a lazy grin, and a scorching look in her eye "Everyone here is looking to indulge, they just try to dress it up.  But like everything else in this world, they desperately need it. and those chains are very heavy."

Verna Gardner
Again, Verna's eyes slide over to Riley, giving her a squint. There is something severely wrong with this woman.

"Really?" she stirs her drink with a little plastic rod. "I suppose you like liberating people from their chains then?"

Riley Kingsley
She nods at that looking quite eager at the idea "They are much happier, like you would be with that blond women." she glances back to the sight "she certainly looks nummy."

"her body quivering in your arms...it would be quite the sight."

she sits up and looks around again at that "Or where you here to just nurse that drink all night?"

Verna Gardner
Verna was already uncomfortable with this conversation. Now, it's reaching stratospheric levels of 'no'. The blonde quivering in her arms? Perhaps. But someone watching? To make it a sight? Oh, you have to be kidding!

"I... um... well..."

If she could, Verna would not only be blushing, but turning bright red right about now.

"Maybe I... was... and you're... just... intruding on my... peace and quiet?"

Riley Kingsley
She would reach out a hand and touch verna's at that, a indulgent smile as she chided her.  Her hand was only slightly cool to the touch "Oh dear, I don't need to actually watch...Your not ready for that sort of thing."

Her second sentence meriting a small chuckle as she again looked at verna with curiosity "No one comes to a place like this for peace and quiet.  You are just the cutest thing."



Verna Gardner
Not ready for... eww. Well, okay. There is that arrangement she has with Alan, but at least he goes to great lengths to make it all more... formal. They aren't really into watching each other go at it. It's just hard to hunt in tandem without catching a glimpse...

Ugh, that just makes it sound awful, doesn't it?

Riley says she's the cutest thing, and Verna rolls her eyes. Cute. A cute little bloodthirsty monster. Cute like a toothache. Like a curse. Cute like the shame you try to hide.

Her own hand is colder. Dead to the world, with no blood in it to fuel a heat source. She pulls it back, like someone unused to physical contact. Doesn't often let the kine touch her unnecessarily.

"Yes, well. You don't know me."

Riley Kingsley
she nods her head at that, watching verna with some interest. wiggling her fingers as she felt the rather dead cold that was emanating from verna.  Even more curious "Your right, I don't.  We should remedy that.  I'm Riley."

Watching her reactions with the eye roll and unphased "Don't feel very cute huh?  I admit Polka dot doesn't tend to be my first choice but you make it work."

Verna Gardner
"I'm Rachael," she says, using the name she gives out to strangers. "Rachael Davidson."

Wish I could say that it's "Nice to meet you."

She looks down at her polka-dotted blouse, and straightens it out. "Thank you."

Riley Kingsley
running a hand absentmindedly through her hair as verna works her dress over 'Nice to meet you as well."

"So tell me Rachael" she leans in a bit closer "What is it your looking for tonight?"



Verna Gardner
"A drink," she says, glances at her glass as if to suggest, see? I got one, too. She hasn't.

"Maybe get a little tipsy? I'm allowed," she says, because she's proven she can handle it.

Definitely not here to drag a mortal off into the bathroom, no no. Just normal human things going on here, stranger.

Riley Kingsley
riley's hand dances along the table at that, looking again at verna's drink "Little bit of liquid courage can do wonders.  Though it feels like a school night...is it?"

She glances at verna's glass as she takes in the colors "looks tasty enough to chance in that case though."

Verna Gardner
"This?" she says, gesturing to the glass "Is wretched. Do not try the basil infused vodka, it tastes like an herbal cough medicine."

Her nose gets wrinkly again, for effect. This is why Verna's not drinking it, she suggests.

"I was thinking about dumping it and getting something else, but it's so expensive..."

Riley Kingsley
Riley grimaces at the idea of the drink as well "Whatever bartender convinced you to get that is quite the salesman"

watching the bartenders for a moment and chuckling "I'd be happy to save you with a new drink.  Being independently wealthy has its perks, such as alcohol to save people from sobriety, the most dreaded of curses" she fakes a serious look at that to verner but isn't able to hold it, grinning again.

Verna Gardner
"Oh, no. Don't bother. I'm more upset about the waste than anything else. Maybe I can foist it upon someone else?" she says, stands. Getting away from this woman would be nice, and that's an (admittedly terrible) excuse.

At least very few people would honestly look at Verna and think her the type to push a drugged drink on them.

"I'll um... see you around, I guess. Goodnight, Riley."

Riley Kingsley
finally a small look of disappointment would come into her face as she watched verna go "goodluck finding what your looking for." she settle back into the chair as she watched the bar.

Friday, March 4, 2016

Hauntings, you'll find along the back wall.

Miss Molly
Messages came in all shapes and forms.  They were metaphorical things, intangible riddles to be unlocked and then followed.  Those were many a Nosferatu's favorite-- though some just liked to collect as many easy secrets as possible to trade like shiny currency coin underground.  Miss Molly herself savored the reward of a good bit of old occult being dredged up from a mine, polished, and kept like a treasure all to herself.

Other times they were literal, though, and came in the form of paper notes with chickenscratch handwriting being handed over by the rough hands of a bruiser Ghoul gone baker.

Meet me, or I will find you.

Or something to that effect.  Maybe it was more elegant and less threatening, but he was a Brujah.  Maybe blunt was still his style.

Ultimately, one way or another, one Friday night after the midnight hour had already clanged heavy on a grandfather clock in some antique shop not far away, Molly appeared all at once at the front door of the bookshop.  Only after she'd judged it to be deserted through the windows, and when she'd watched to ensure foot traffic was non-existant as well.  Whatever bell or chime he may have set up to alert employees of customers would sing its little song, and the shrouded figure of Molly the Nosferatu came inside.

Tam
Brujah aren't exactly known for their public speaking or their writing ability. They are however known for being intimidating, and even if he hadn't meant to intimidate the childe into coming to find him, he hadn't had to put forth much effort. His handwriting is sharp chicken scratch. Born of an age when the educated were expected to use cursive and the uneducated didn't know their alphabet let alone how to write.

Unlike last time he is not aware of her presence before she chooses for him to be. The little metal bell trussed up over the entryway jingles. The bookstore holds its breath.

In the time it takes him to rise and begin his thumping way out of the back room Molly can appreciate the effort gone into cleaning up the place after their tussle with the shovelheads. The rug that had been lain down to serve as a runner has been rolled up and taken away, and the books that had caught the blood spray are gone. Empty spaces left behind.

She hears him before she sees him. When he appears he does so calm. That fire she had seen in his eyes as he bid her leave that night is banked. A Brujah is never truly calm but he is old enough to act as if he is at least dispassionate.

Tonight he wears jeans and a flannel shirt. His blond hair is combed and his beard groomed. He tucks his hands into his hip pockets as if he is holstering a set of weapons.

"You read my note," he says.

Miss Molly
To some, hands going to pockets was a sign to be cautious.  It meant that something was being hidden, or maybe even reached for.  Molly recognized the action for what it was, though-- the holstering of weapons.  She'd witnessed what those hands could do.

But still, she came.  He'd find her hovering around the spot where a particularly nasty pool of blood had accumulated-- she remembered it in detail because she needed to maneuver in a rather pain-in-the-assed way to avoid stepping in it and tracking and ruining her Unseen Presence trick.  She was dressed in a violet skirt of many layers and much length(her style of choice), a black sweater, and a dark violet knitted cowl with great depth, so that she was able to wear it over her head and face as a hood.

Today, the vast hoodie was ditched so her figure was less of a mystery.  Overall, her torso seemed to belong to a human woman-- ample of breast and soft of stomach, well-curved of hip up to the point that shape vanished beneath her skirt once more.  Simple black gloves over long-fingered hands.  When Tam arrived she lifted her head to look at him, and he'd find that her face was carefully wrapped with bandages within the shadow of her hood.

"Of course," she answered.  Her tone was far less skiddish than how he'd remember her when those shovelheads attacked.  He could rest assured this Nosferatu girl had nothing up her sleeve in the way of combat tricks.  Harmless, in that particular regard at least.

"Plus I understand it's bad luck to invite a vampire to come hunting you down."

Tam
"Mm."

Assent. He had seen enough of what she has to offer in a combat situation to know she cannot offer much. And she knows that she knows. That night he had not worried he had backed the wrong horse, that she had been the one to lead them to him, because they had turned on her. Because she turned to run because she did not have the means to hide.

This particular vampire has been dead a long time. Stillness and he are of a kind. He keeps his back to the door. If anything comes through it she knows he will not be caught unawares.

"The way I see it, it's less to do with luck and more with choice. I'm glad you came, even if it was to avoid worse luck. We hadn't much chance to talk, last you did."

Miss Molly
"No," she admitted, "we didn't."

The hood fell back to hide bandages, as she looked to the floor again.  Turned her head to eye the vacant spaces on shelves nearby as well.  Glanced curiously to the wall where she remembered one being staked up to it.  "That must have been quite the mess to clean up.  I would apologize for not sticking around to help clean, but..."  A shoulder rolled in a shrug up against the frumpy edge of the cowl she wore like some religious piece of privacy.

"You'd be surprised.  Luck has a lot more of a hand in things than a lot of people tend to think."  Said the Childe to the Very Old Vampire as though she knew more than him on the subject of anything.  But he was old enough to know-- young though she may be, the Nosferatu were immersed in a world of secret trade and insider knowledge from the very beginning.  Chances were she might have already picked up a thing or two that he's overlooked himself in his years.

At last finished with her curious scope of the damage and how well it had been covered and cleaned, Molly looked back to the tall blonde Brujah once again.  "Did you ever find why they came here?  Was luck simply not on their side that night and they were seeking mayhem in the wrong shop?"

Tam
For what it's worth, he lets her speak her piece. Neither accepts nor denies her apology and he does not take the opportunity to argue with her on the nature of luck. It's enough to permit her her youth. All he knows is battles and in knowing battle his entire existence he knows which ones to pick. Words are not his weapon.

He hasn't moved when she looks back at him. Curiosity in his eyes as tends to be but he is not making an attempt to see beneath her cowl. She is not the first Prior he has ever met in his life and she will not be the last.

As for why they came here:

"Were I younger, I might waste time questioning the motives of shovelheads. They were young, which leads me to think mayhem was their only motive."

Miss Molly
What Tam reckoned about the motivations of the gang that descended upon them seemed to sit well enough with Molly.  She nodded her head in acceptance and agreement.  He hadn't moved, and all that Molly had moved herself was in place, turning about to survey her surroundings but not entering into them any deeper or retreating toward the door either.  It was a dance that she was still learning, the constant pseudo-stand off that came between two creatures, two Beasts, that weren't quite familiar with one another yet.

This was more like a Lion and a Field Mouse, but all the same.

"...I need to confess, I didn't expect to find a Brujah as a bookstore shopkeep."  She didn't sound mocking of the idea, but rather impressed by it.  He couldn't see it very well for all that she hid herself, but she was constantly skimming what she could make out of book spines.  Hunting for something in particular, no doubt.

"Do you...," she started a question, paused, then finished because fuck it she already started anyways.  "Do you only keep regular books, like these?  Biographies and history and fiction?  Or do you have more... specialized tomes in store rooms, maybe?  Those are the books worth reading."

Tam
"I've a few."

He considers her in silence a moment hard to quantify what with their hearts lain dead in their chests but the moment last no longer than a few seconds before he steps back and moves towards the register. Boots sounding heavy on the wooden floors. From the timbre of it Molly can tell this space has a basement.

"When you say 'specialized,' you mean related to the occult, I take it."

He's checking his inventory. A large bound notebook in a locked drawer. His eyes flick between the two throughout her answer.

Miss Molly
Molly didn't follow Tam when he went back to his register to check his inventory.  Instead she stood still, turned about to keep her front toward him, and watched.  The most she moved otherwise was to fold her arms under her chest and tap spindly-long fingers lightly on the backs of her upper arms.

"Yeah.  It's something of a... hobby of mine, I suppose."

Verna Gardner
There comes another chime at the door. Just when Tam and Molly start talking about the secret stash of occult books, because the store is deserted at this ungodly hour of night -- it becomes a little less deserted.

It's not a Sabbat pack this time. No, a small, rather mousy girl walks in, all prim and proper, with a thin string of pinkish pearls around her neck, just showing under her grey peacoat. But what timing, eh?

She gives Tam a smile when she sees him behind the desk, but her eyes just glaze over Molly, but such is the intent of her outfit, isn't it? She's thinking this other woman is kine, perhaps. Looks to the shelves to browse.

Tam
Predator-still with that singing of the door-chime and Molly has seen the way he goes so still before. No fury in his bones this time. A flash of it sure but he has a brain between his ears and he's capable of rational thought from time to time.

The Ventrue childe smiles. His eyes tick to the Nosferatu and then he braces both hands on the edge of the antique desk supporting the register.

"Rachel," he calls out as she goes straight from smiling in entrance to browsing like their paths have never crossed before. "Welcome back."

Miss Molly
The door chimed and both Molly and Tam went still, the way that people do who are mid conversation about things best not overheard when somebody else comes into the picture.  The woman who walked in smiled to  Tam, who in return welcomed her back and greeted her by the name of Rachel.

Molly appeared heavily draped in skirts and a cowl, what small glimpses of her face visible wrapped in bandages (burn victim? [cursed kine]).  Unrecognizable, certainly, but the same could not be said for Verna.

Tam called her Rachel.  Molly knew better.

But Molly said nothing.  Just stood and watched quietly, head turning to follow Verna as she walked and browsed.  Though her face wasn't visible to give her away with expression, and though her words couldn't give her away if they didn't come either, her posture was stiff and watchful.  Recognition was there to be found.

Verna Gardner
"Ahh, good evening. Peter, was it?" she says, the both of them using each other's fake names. "I thought I'd stop in. I finished that first book, and..."

What is wrong with that poor woman's face, she thinks, stifling communication for a split second.

"And it was very good. You have excellent taste."

Though, apparently, not very upscale clientele. Whatever, it's in the middle of the night, right? Some considerations have to be made.

Tam
"I know."

And he's humble, too. Humble and aware of the fact that they may be immortal but they do not find themselves with an overabundance of spare time in their possession and besides no one has ever accused the rabble of being subtle.

"Rachel, have you met Molly?"

Miss Molly
The really nice thing about being completey covered up, from crown to toe to face, was that you became difficult to read.  She was staring, certainly, but neither of them knew that.  Apprehensive, pitying even, thoughtful and curious all alike.

Rachel, have you met Molly?

Molly dipped her head under the cowl to offer greeting, and spoke in a cool and intelligent voice that didn't quite match her appearance (but was the same as it had ever been, unchanged though her face and body may be).

"Nice to meet you, Rachel."

Verna Gardner
"Um, no, I..." and there, Verna goes to a stuttering halt. Her latest conversation with a certain Ventrue power-player has her just done with meeting new people. If she's being introduced to this woman, it's likely she isn't just some wretched kine either -- more like a wretched Somebody...

"I don't think so," she says, finally. She'd remember meeting someone who went around looking like The Invisible Man.

"Good evening, Molly. It's nice to meet you."

Tam
Kids...

A flick of his eyebrows is the only sign the ancilla finds this all very amusing. He had been in the middle of doing something when 'Rachel' walked in and though he called her 'Rachel' he did so with all the conviction of someone who cannot lie worth a damn but made the effort anyway.

He and David have something in common. May we hope that's one of the few things.

A flick of a page, next, then another.

"I've a confession of my own," he says to pick up what he and Molly had left off. "Your shelves may be better stocked than ours."

The 'shopkeep' hums as he reads down his ledger.

Miss Molly
Though the introduction and pleasantry were-- well, pleasant enough, Molly made no move to extend her hand for a shake.  Verna could see those hands, shrouded in dark gloves as they were-- those gloves had to be modified, the fabric didn't quite match at the tips, because room needed to be made for fingers that were at least twice as long as usual.  They tapped spindly like spiders upon her upper arms, and her head turned when Tam hummed thoughtfully and commented on his own inventory of occult books.

"That's a shame.  Perhaps I could help point you in the right direction for tracking down some pieces worth adding to your collection, some time."

An offer to scratch his back one day, a line cast and lure left to bob in the water.  Favors performed were favors owed, and this was a game that Molly figured out was important to play quickly.

Verna Gardner
Verna tries not to stare at those spidery fingers, but gives them this brief look of fear, because that is just completely unnatural. What does she have under those gloves? Claws?

Politeness is a virtue Verna tries very hard to pretend she has, though. She won't gawp at Molly like a child might at the less fortunate until given a stern talking to.

"Mmm. What are you here to find, Molly?"

It's not like Verna could help. She doesn't even know what happened to all of her old books. Probably thrown into a dumpster along with the rest of her life.

Miss Molly
Verna could imagine that somebody like this woman was accustomed to being stared at.  You don't look so vastly different from an actual human being for all of eternity without getting a thick skin to it.  Otherwise you end up an old wretched hag secluded from all of society, a monster in the hills that's lonely and miserable.  Molly didn't need help or encouragement to be lonely or miserable.  She didn't have much of eternity under her belt, but she was becoming less worried about lengthy lingering of eyes month by month.

The attempt to start conversation was noted, and Molly's tone was at least open and trying to be friendly when she answered.  "The occult-- magic, other dimensions and realms, monsters, what exists within and beyond life and death..."  Vaguely, under the hood, the bandages about the mouth shifted and flexed.  Was she smiling?

And was that a touch of pity in her voice when she spoke next?  The 'smile' had dropped, the bandages returning to a smooth mask and nothing else, and Molly regarded Verna while she added:

"If you find yourself in need of an expert in such areas, I may be the person for you to see."

Verna Gardner
The first subject out of Molly's mouth has Verna instinctually going into that smug skeptic frame of mind, like an Atheist when confronted with someone who believes -- truly believes -- that the bones of dinosaurs were put there by God to test our faith.

Magic? Other dimensions? Monsters? Well, it's not until that last one that Verna actually stops to consider. She is a monster. She is beyond death, in a way.

"What about..." she says, lowers her voice to a whisper, just in case someone might think her daft for bringing the subject up. "Ghosts?"

She'd never have said it, if not for David's insistence that she try to find a way to study them. Science does her no good here. And what David wants, he gets.

Miss Molly
Surprisingly enough, laughter bubbled up from behind those bandages.  More surprising than the laughter itself was how it sounded-- it wasn't cruel or cold or mocking or twisted.  It was still pretty genuine, one may daresay it's almost human.

"Oh, ghosts are everywhere.  They're the ones that like to get the most attention, too-- not quite so good at hiding themselves,  not like we are.  They're the ones that are easiest to find information on.

"What, do you have a haunting?  Need an exorcism?"

Tam
"Hauntings, you'll find along the back wall, there."

He claps the inventory log shut and locks it up again. Scribbles quick on an index card and folds it up before coming around the desk. He passes it to Molly. Date and time for another meeting. If they get the impression he's hustling them out, it may not be a false one. It's just a slow hustle.

"Miss Molly, I'm expecting a small shipment next week, with a few titles what might be of use to you. I'd be more than happy to bring them by the diner, if that's the case." A beat. He glances between them. "Now, if you'll excuse me, I've got to step out for a few moments. You're welcome to stay. We're always open."

Dun dun dun.

Verna Gardner
Not like we are, Molly says, and confirms a suspicion. Still, those fingers. That face. David told her about a clan of vampires who are ghastly to look at, whose Embrace changes them. It's a little... disturbing that she has to go so far as to bandage her head. Morbid curiosity makes her want to know what's going on under there, but no. She probably doesn't really want to know, does she?

"I... uh... I need to find out how to study them. I suppose, to start with, it would be nice to know how to find one? I mean, I have never even considered that they might exist, personally."

So, you know, she's not the one to see about matters of the occult, is Verna.

Tam gets a nod of the head, and another smile. "Oh, certainly. Thank you for letting us stay."

Miss Molly
Tam had offered up the location of his books on ghosts, and also offered up a card that had a date and time scribbled upon it.  Another shipment, and perhaps she'd find some of the things he's getting in useful.  They could talk.  She nodded her head and tucked the card away into a well-hidden and deep pocket somewhere in the violet folds of her skirt.

"That would be great.  I look forward to it."

He had to step out, so Molly bade him a quiet farewell and explained:  "I need to go soon myself, but..."  And tapped one creepy long finger thoughtfully a few times before crooking it in the air between herself and Verna-- come hither it said.  She would head back to the shelves where the books on hauntings were stashed away.  Before she left, she seemed intent on helping Verna in the best way she knew how.

Soon the young Ventrue would have the pleasure of watching the disguised Nosferatu's spider-fingers walking along the spines of books as she judged them.  She spoke as she did this-- passing from book to book, occasionally pulling one out to look over the cover and in some of the pages.

"Study?  Like, scientifically?  To keep notes and test hypothesis?  Ghosts aren't lab rats, and they aren't particularly friendly.  They don't hang around because they like the scenery, you know."  The books that passed the test were handed to Verna.  If she allowed it, she would end up with two small paperback books and one small one with a hardcover that looked battered by age and sun alike.

"Here-- everything that I've ever learned or accomplished with matters of this nature began in a book.  These should be a good start, in regard to manifestations and this one," she tapped a finger on the hardcover book, "should help you understand how to go about finding them.  They can sometimes be summoned, but..."  She shook her head, indicating it wasn't recommended.

Verna Gardner
Molly says ghosts aren't very easy to study. If that is so, how does anyone know anything about them, much less all that she claims to? She follows the bandaged woman to a section of the bookstore that girls like Verna never go to. Ugh, the paranormal. Perhaps David will want her to check on alien abductions next.

At least coming home with a few books might prove to him that she is at least attempting to take it seriously.

"Hmm. I think if I want to know... anything, I'm going to want more than just a book to tell me what could be lies. I like having proof. Proof means study. But, if you think these are good, I'll start here. And thank you."

Verna Gardner
Molly says ghosts aren't very easy to study. If that is so, how does anyone know anything about them, much less all that she claims to? She follows the bandaged woman to a section of the bookstore that girls like Verna never go to. Ugh, the paranormal. Perhaps David will want her to check on alien abductions next.

At least coming home with a few books might prove to him that she is at least attempting to take it seriously.

"Hmm. I think if I want to know... anything, I'm going to want more than just a book to tell me what could be lies. I like having proof. Proof means study. But, if you think these are good, I'll start here. And thank you."

Miss Molly
There was a still in the air while Verna was speaking-- the kind of still and chill that came from somebody not talking because they were biting their tongue and feeling how strong the threading of their patience was.  It's tricky, not being able to see the Monster Molly's face and therefore not having expresions to go along with the body language, but there were glimpses of blue eyes (human, surprisingly so) from under the bandages and they were looking rather blankly at Verna while she presented her argument about seeing things in person and not reading lies.

Her tone was precisely as blunt as her stare, but sounded at least a little placated by the thank you when she answered.

"You're welcome.  Whenever you read you should always take what you find with a grain of salt.  That's why you never use only one book when trying to find what you need.  Rarely will two be enough either.  Find the themes that match, and then go test them.  Just... be careful when you do.  It's astounding, what ghosts are capable of."

She spoke with an air of experience, a grave one.  It was as though she'd witnessed somebody's bones turned to powder by one or something.  She tugged at her cowl to adjust it, then her hands folded out of sight into the bunched fabric of her skirt.  The sway of her stance suggested she was ready to leave, preparing to go.  "Your proof will be your experiences, you know.  If I can offer any sage parting advice to you tonight it's this:  remember that you are always going to be on somebody else's turf.  Tread respectfully of it and you'll walk out with what you learned."

Tam was already gone, off through whatever door he'd taken.  Molly swept away to the front door, pushed it open, but paused to glance back.  Just long enough to say:

"Goodnight, Verna."

The door closed behind her.  If Verna were to rush as quick as she could to the window to try and pursue, she'd find the street empty to the naked eye.  Nosferatu had a way of disappearing into the shadows and sewers like that.

[Unseen Presence dropped pretty much soon as she was away from the window.  If you really want to drop rolls for her to see where she takes off and pursue, then we can do that through another scene. :)]

Thursday, March 3, 2016

Botanical Gardens: Plants of Passion Party

Verna
Nighttime parties at the Denver Botanical Gardens are (almost) always good for a decent meal, Verna has found. Once, a meal even bought her a little white orchid at the gift shop, which would have been such a lovely gesture, if she were a normal human woman, inclined to stick around. The orchid now struggles to survive atop the front desk of David's music store, because she couldn't think of anyone better to give a gift to, and she insisted it would just starve for light in her little basement room anyway.

Tonight finds her loitering about Marnie's Pavilion with its large rock decorated with tropical plants, tiny rivers and lights set on each interesting fern. It's warm and humid in the room, for the sake of the plants, bothering those who dressed for the weather outside. Verna isn't bothered -- it's hard to be without that spark of life -- but she did not bundle up in layers. She's hunting. That requires a bit of... unnecessary skin.

Her outfit is classy, even if the hemline hits above the knee and her heels are a bit high. She wears a blouse of pearly pink with sheer navy polka dots overlaid on top, with that sheer fabric continuing down the short sleeves, paired with a flared navy pencil skirt.

She stands with a drink in her hand, longing for another kind of drink, casing the crowd for those whose dates have left them stewing in artificial tropic swelter, or seem to be at least open for conversation. The weak. She's looking for the weakness in this herd of people. Maybe she'll even drum up the courage to eventually act on her spotted marks.

Sophie
The difficulty in being new, being a childe reliant on one's sire for what to do and who not to do it to, is that it can be impossible to know when one is trespassing on another vampire's domain - poaching the king's deer, unaware that the border has changed. And it is not easy to pick a vampire out of a line-up, not without throwing some (sun)light onto the matter. They look human unless they're so lost to their humanity that people look twice. They're usually pale, yes. But there are a number of pale people at any 'do, especially the ones which draw a higher class crowd.

There is a young (oh, young) woman who has just entered the pavilion but a minute or two ago, hidden from Verna's roving sight until this moment. This moment is the moment that her handsome and solid escort leaves her, a man with broad and solid features, hewn from rock and somehow solid: but handsome, with just the right touch of shadow at his jaw, and having left her she is alone. Somebody's darling, this pale young woman who looks all rose-bloom and sweet as cream, with a pretty mouth and a pretty chin and a pretty determined arch of perfect eyebrows and a prettily perfect wave to her currently brownish blonde hair, and of course she is dressed elegantly.

She looks after her companion for a long moment; she has no drink in her hand. Then she pivots, her posture straight-backed and good, on the balls of her feminine heels to survey the crowd, and her eyes meet Verna's, and do not slide immediately away.


Verna
So two of them are perusing the people on display tonight, and Verna finds those eyes on that marvelously perfect specimen -- gives her a shy smile and tries to find someone else to look towards.

Internally, of course, the emotion at first is jealousy. That one wouldn't have any problems being a predator, she thinks -- just look at those brows.


The internal comparisons make her a bit self-conscious, and she takes a moment to sigh at a bromeliad and straighten her skirt.

Sophie
A shy smile and a retiring gaze, and these are not in themselves sufficient to hook a fish. Has Verna tried to hunt in a club or a bar yet? There, the young gentlemen who fancy themselves predators might well look on Verna as the perfect bite. An easy snack. Not attractive enough to be missed, but appealing. Appealing, no?

Where is there weakness in the crowd?


The blonde's heels click clack staccato precision against the floor. They aren't very high heels, only an inch, perhaps two, and they do not elevate her to great height. Uh oh, she's coming close. Verna's last chance to make a move, or hide.

Verna
Oh, dear. That one is coming over to say hello. Or something. The why is still a hazy question rumbling around in the back of Verna's mind, but in the forefront...

Oh, no. An introduction. And she hasn't even had time to comport herself in a manner that doesn't scream socially awkward.

There's a pronounced 'deer in headlights' look to Verna for a second, before she realizes she shouldn't be projecting that emotion on the outside. She thinks about how to present herself, about how large a smile is acceptable, about whether she should be offering a hand (no, not yet). She doesn't even yet know who this woman is, but still...

It's obvious that she is somebody.


"G... Good evening," she'll say, when the other woman arrives within the appropriate, thoroughly calculated distance.

Sophie
"Hello. I don't believe we've met, but you appear at these little 'dos quite often don't you?"

The brunette (blonde? with those highlights, difficult to tell; everything falls like expensive silk, though; everything is cut perfectly, everything reaches and maintains excellence) smiles. Heart-shaped face and dimples and measured confidence.

But what actually gets people is Sophie's voice. Sophie's got a voice fashioned to compel, some Classical allusion to a Siren would be appropriate, or a Nightengale. Too bad Orpheus was a man, and doomed.

Then again, this pale brunette has decided to talk to a vampire.

Verna Gardner
Okay, Verna. Time to pour on the charm. You can do it, can't you?

"Oh, well, yes? I mean, I love the flowers. So pretty," she says, and tries to mean more than that. The flowers, the people, and you, Sophie. You are so pretty.

She smiles back, shy as anything, but she tries. At least this time, there were no stutters. But there's a question, something that took Verna a little off guard. Why does this woman know her habits? Has she been watching her?

Sophie
Were Verna's sire to be present, his heart would remember how to beat just so it could have a heart attack. Verna's sire is not present.

"Indeed?" The creature seems both vibrant and present. "And what is your favourite flower?"

Verna Gardner
Flower. Favorite one. Think of something, Verna! She used to like violets, didn't she? The now of her life is a Venus' fly trap closing about her, though. For a second, she hasn't a clue what to say, until the memory of that one 'date' of hers who bought her a tiny orchid. He tasted like the bit of wine on his breath and in his veins, and that was a good night.

"I'm fond of orchids," she says. "Fussy things, hard to grow, but then... so rewarding when they bloom."

There, that should be fine.

"What about you? Do you have a favorite?"

Sophie
The creature cants her head, and has she blinked? Yes; just enough times to be natural, to be human. The creature is not human and it does get more difficult to pretend as the years go by; what is the point? There is only so many hours in the night.

But she is pretending, isn't she, her mask neatly in place as she neatly questions Verna and neatly regards her protégé's childe; she'd fix her, neat as a needle through skin, if fixing seemed warranted.

Everything one says is judged; Ventrue judge their own more harshly than they judge others, for the others have already failed to live up to expectations.

"Difficult to choose. I like dahlias, blowzy as half-dressed Renoir girls, or lilies of the valley, sweet little things. I should say the rose is my favourite flower, for it is the most useful."

Verna Gardner
The most... useful? David has told her of the nicknames of the various clans, some more genteel than others. He likes using slang and pejoratives. But the Roses, the Toreador, they are considered useful, aren't they? And this woman seems to know who she is, has the bearing of someone more-than-human. It's enough to put tightness into her stomach, to go along with the hunger there.

"Hmm. Yes. Roses are very nice. I... I seem to have forgotten to give you my name," she says, smiles off the stutter. "I'm Verna. Verna Gardner."

And you are Someone. Hoo boy. Hopefully not a Sabbat someone, but then all of Verna's experience says that's highly unlikely. After all, this woman isn't dressed in fishnets and black leather...

Sophie"Ah." A soft syllable. The creature cants her head and parts her lips and regards Verna in this little up-and-down way. "You are David's young protégé."

There is a pause. Then the young (eternally [forever]) woman offers Verna her hand. There is a little charm bracelet at her wrist with its useless veins its marbled perfection delicate girlish thing the little charm bracelet is gold and the little charm is a telescope or a night stick or a sceptre and it is bright when it catches the light and throws it back.

"I know David quite well; my name is Sophie. Sophie Caldwell."

Verna GardnerOh. Sophie. Verna has heard the name, spouted by her very tense sire. Verna was right, she is Somebody, and important and imperious and Ventrue. If she could sweat, the lump of nerves rising up in Verna's throat would be all the more apparent.

She's offering to shake hands. Oh no. Verna reaches out, and is her hand shaking? Perhaps a little. She laughs to cover it up, unsuccessfully -- an excited little twitter.

"Oh, he's spoken of you," she says, tries to smile. "It's an honor to meet you."

Sophie"Is it? Why?"

Verna GardnerA question? Why? Why wouldn't...

"David speaks highly of you. And... I am... To show you respect."

Because you are Sophie. Honestly.

"I am supposed to show everyone respect, really. It is one of the things David has taught me."

SophieSophie has a firm handshake. This is not firm in the way of someone who has been taught that a firm handshake is important. This is firm in the way of someone who has always been assured of their place; who has always taken their place, against great opposition. Her fingers are warm and she does not deign to acknowledge any tremble in Verna's, but after a moment she releases Verna's hand to do what it may.

"Oh, I thought you might have an interesting answer. Has he taught you to respect everyone; even the janitor? What does it mean to be honored or to have honor, Verna?"

Verna GardnerOh no. She has just put Sophie on the same level as a janitor? There's a look of worry for you -- like sire like childe, no? She exhales a held breath. This is like an exam, and she's failing. New experiences abound when you're dead.

"He says I should be respectful of my elders, which is... almost everyone," she says, hopefully clarifying. "But, I should be especially respectful to those such as yourself."

What does it mean to have honor?

"It means, honor means that you are a credit to those you associate with. They are made better by your presence, and would be lessened by your absence. And they know it."

Sophie"Do you feel as though, in the course of this, albeit brief and stunted conversation, my night has become better for your presence; that it would be lessened, were you to be gone? Do you feel the opposite; that your presence has been made better by the addition of mine? That you would be lessened by my absence?"

Verna Gardner"Of course my presence has been made better by the addition of yours," she says, repeating the phrasing. "That's why it is my honor increasing, simply from having met you." But then, it seems Sophie is pointing out something else rather forcefully. Verna is a nothing. Worse than a nothing. A shameful thing.

Oh, keep it together, Verna. Don't let her break you, that's truly failing the test, isn't it?

"Is it a zero-sum game though? My gain is automatically your loss? I know I am no credit to anyone yet, but I could be."

Sophie"Could you really? How; how do you apply this wishful thinking to real life?"

Lovely voice, angelic face: total bitch. There seems to be no particular malice behind her words; no extra lash, no personal sting; this might just be Sophie's particular brand of directness. Hammer in a glass room.

"I do not mean to be cruel to you; but do your hands always, then, shake? Do you always betray an air of nervousness? It is good for some prey, true. But if that is who you become when you are around people of note, it is too too bad."

Verna GardnerRespect is, as Verna said, an earned thing. Sophie's words sting, but then, they're Verna's own, repeated internally until believed. She already knows how small she is. Then why, Sophie? Why browbeat the already beaten? What respect do you have to gain out of picking on the littlest one in the room?

It's not much, but something to remember, certainly. Something to take some pride in. Verna would never be like that. She would be better than that. She lies to herself, but it's one that feels so good.

"Yes. It is," she says, no reason to argue there. Her mouth goes to a flat line, before remembering to try to appear placid and nice. "Certainly something I need to improve upon."

Another smile, to hide the wounds. "Do you think I should leave then? Stop offending everyone with my presence?"

Sophie"Hmm." Sophie frowns, and perhaps her troubled air is a perfect facsimile of what it is to be troubled. "Is that what you believe I am suggesting you do? I am truly curious; how is it you apply yourself to becoming a credit other than wishing to be so?"

Verna GardnerIt is difficult for Verna to imagine a future. It feels like building an elaborate and loved sandcastle as the tide rolls in. Useless, really. She wants to be a credit, not to herself, but to David in the hopes of saving him, but there is hardly any room to think about herself. Well, other than how much better everything would be had he left her dead.

Hers is not the best of foundations upon which to build.

But she has planned out what to say in this event. She has a list written down somewhere in her basement, because of course. Of course! It was for David's sake, so it was done.

"It is difficult for me to do anything worth doing without access to a laboratory," Verna says, quick-fire. "So of course, my first step would be to... get permission to acquire one. After that, well. I suppose that would depend on how dangerous my associates would like me to be. I worked at a plasma physics lab when I studied in Chicago. I've worked with lasers powerful enough to ignite air. I know how to create an artificial sun. There's a lot one can do with a research license."

Sophie"Oh good. You are intelligent as I have heard. I was beginning to wonder."

Sophie's sweet little head is still canted, just so. Now when she smiles it brings out her sweet little dimples; truly, she looked angelic when she was alive. Whatever God crafted her did so with an eye to fairness, though it is not fair anyone should be so lovely in death.

It isn't fair anyone should die and still need to go on, night after night, always hungry; the Hunger they feel is not fair.

"And it is an infinite relief. Have you asked David for a laboratory; has he had trouble scrounging together funding? Have you yourself experienced Rötchrek yet? The Red Fear?"

Verna GardnerFinally, it seems Verna has said the right thing. Or at least, close. And it was the one thing that felt the most false. But there, a notch, a little degree of something not... Well, Sophie still managed to insult her while complimenting her, but it's something? That's good, right?

"Well, I..." David said he'd get her a chemistry set, some small amount of equipment. It had just made her more upset. "The scope of what I'd need is... I'd never ask him for so much. Ideally, I'd need an assistant too, someone with credentials, you know." And the ability to pretend to do legitimate work. The ability to walk around in the day. Someone with a doctorate, like the one that got ripped away from her...

"I'd also need to know how to do all that without stepping on anybody's toes while I'm at it, because..." Because she could be killed by anyone with no repercussions. She could get David killed, and that's even worse. "I know I can't afford any mistakes."

"I haven't yet experienced that particular Fear, no. David has taught me about it, though. And I am adept at designing experimental protocols with safety in mind. Plasma is pretty deadly to anyone. Although there would be some necessary modifications."

Sophie"Come. Walk with me," Sophie says. The request is no request at all of course and the warm (currently [her skin just glows with health, pale as it is]) blue blood slips her arm through Verna's, looking at the woman sidelong as if to check whether or not this is okay. Once situated, she will walk Verna away from the crowd, so their tete-a-tete can be more truly private. This is just such a stroll as Verna has done before: with her own prey.

"I am curious about what David has taught you as regards being 'dangerous.' What benefit, danger?"

Verna GardnerIt's not a request. Of course it is okay, of course Verna allows Sophie to drag her off. Even if she horribly misjudged everything and she's about to be destroyed for impertinence or... just the shame of her existence, at least David isn't here.

Once thus whisked away, though, Sophie asks her about the danger. Why be dangerous?

"He's told me there is a war," she says, softly. "I thought, either weapons or defenses would be the best use of my talents, in that case. If I could... be a credit, it would be toward that end, am I wrong?"

Sophie"No. Being useful against the Sword is quite a feather to have in one's cap, however riskily got," Sophie says. "But why do you want to be a credit in that way; is it just for David's sake, or is it for your own?"

Verna GardnerEverything is for David's sake. She can't easily even consider courses of action that might besmirch his reputation further. But right now, to lie a little, to make herself seem a little less like his personal doormat might be the best thing. For him. He wants her to survive, she knows that. So that is where her instinct to survive stems from, despite the harsh twists of her mood. The blood is cruel like that.

"Can't it be both? If I can be of assistance, it would... not hurt either of us. I want to help him, absolutely I do. I also... don't want to die."

Neither are lies, exactly, but there is a hollowness about her response. It's not the plead of someone whose lust for life is just too great to be snuffed out, that.

SophieVerna Gardner. There are many signs that not all is well; that she would, perhaps, have been better left dead; better left mortal. That this life is not a good life for her. But sometimes it takes time, and that is one thing vampires - while greedy of, covetous of - do not necessarily lack. They have forever if the cards are in their favor. Sophie, blunt Sophie, Sophie who is noblesse oblige through and through, who even at her most condescending (and one never wishes to see her at her MOST condescending, because dear god how condescending is that?) manages to care about the people she is condescending to, in a fashion, Sophie eyes Verna with a cold concern. Humanity has been sacrificed in service of humanity. That's just how things go. She remembers what she valued, still values. Her heart does not beat but she remembers fervor.

Siren-voiced creature sounds truly concerned:

"What would you do if he were taken by the war?"

Verna GardnerDavid killed her. Brutally. And then held her captive while forcing her into his service. But her reaction upon hearing Sophie's question isn't that of someone whose loyalty stems primarily from fear. It's not the reaction of someone who would be glad to see her master dead. She winces, as if the thought causes her some pain, but it is the pain she lives with nightly.

He could always be taken. By the war. Because of her. It's perhaps even a bit easier to deal with, if it were the war -- something random. Something not her fault in any way.

"I don't know," she says, raises a hand to her mouth. "Perhaps I'd talk with Cipriano, see if he would take me on, until I could be allowed to be on my own? It's not a very happy thought."

Her opinion might change, the moment it happens, the moment that bond snaps. But she doesn't know that, and wouldn't think it possible.

Sophie"Who would you try to be a credit to should the war take David?"

Verna GardnerShe thinks she knows what Sophie is getting at. Have some pride, perhaps? Root for yourself any? Pride she has, but it all gets subsumed in her law-breaking origins. After having been reminded over and over again how very low she is indeed, how very shameful and worthless, she's not in any sort of mood for that. Couldn't lie convincingly enough.

Maybe the next time she feeds, she will treat her prey as Sophie has treated her. Maybe she'll lose a contact in her address book over it, but it would feel like she could be the imperious one.

"I would try to be a credit to the Camarilla," she says. At least that is something she can mean. They're not the Sabbat. They're not the ones who laughed at her while she died. Sophie's not doing them any favors in her book tonight, but the good thoroughly outweighs the bad, still, in Verna's reckoning.

Sophie"And you should do so by raining down violence, scientifically-manufactured violence, upon the Sabbat?"

There is no contempt or disgust at the 'scientifically.' Sophie is a woman of Industry, the daughter (or childe) of Wealth carved out of iron: the Railroad. Back in the day, it was king. And it still pays in dividends, at least in the game of immortality. Maybe.

Maybe Sophie is a woman of Industry in that fashion: she looks like she could've been some gilded age darling; perhaps she was plucked from Victorian England (though her lovely voice has no accent).

"You should experience the Red Fear for yourself; under controlled circumstances, and strengthen your resolve so. Has David explained the position of our clan in this city? Has he mentioned the Prince?"

Verna Gardner"Violence, perhaps. Or perhaps," she says, shakes her head in questioning herself, as if coming up with fresh ideas even now. "Perhaps protection against violence. Armor better suited to our weaknesses? Did you know, there are ceramics that can be glowing hot on the inside, and cold enough to touch on the outside? You could make a gauntlet out of such stuff and never feel the heat of even thousands of degrees."

When she talks on subjects like these, a bit of the shy, sad girl leaves to go be elsewhere while the cognition and love of what she does used to do comes to the fore.

"He has taught me about all of the Primogen, and about the Prince. At... at least, I know their names."

And then, the shyness returns. She's not comfortable discussing the politics that threaten her sire. Not quite as at home, or able to ditch herself in reverie.

Sophie"I did not know that, but I find it fascinating. You should come to my haven for supper some night. A mid-night fast-break."

"But I will leave you now. You might seek out the one whose Domain you have been hunting on and pay them your respects; it is a Rose." Sophie doesn't sound too pleased about that. Brusque: "You are 'cleared,' as it were, by David; he did that, at least. And yet still, it would be good manners of you."

With that, Sophie means to leave. Leave Verna to her hunting, knowing well that there are Others around.

Ghosts

David
Tonight it snows.

There aren't many people on the street. They're all inside and they're all with other people, little units that protect them from the monsters who are just trying to survive, really, the street people are diminishing, are growing pale and wan as the snow gets into their lungs and turns them into omens, America's greatness is tattered, no more returns, terrible, terrible. Tonight it snows and it snows quiet, the flurries delicate a-bumbling -

and tonight David, and his companion, are in a building with a brick façade. It's a warm lounge, owned for years by an Italian family with their fingers in all the pies. There was a fire last year; now it's re-opening, thanks to an anonymous backer, and the upstairs is an open plan deep seats couches leather chairs a small carefully contained ultra-modern fire place and a band called the Gunslingers and a milling crowd. It's not packed but it's not empty and it's as good as any a place to look out at the snow or to take advantage of how warm people are, really, biologically, when you get right down to it.

David has a good wool coat. Expensive wool coat. Drips elegance and money in equal measure. He is not wearing it now; it is in the coat room. He is wearing a tuxedo t-shirt and the tattoos on his arms are visible, as is the earrings in one of his ears. His dirty blond hair has some product to give it shape and he looks pugnacious, he looks Irish. With that nose.

He's checking notes on his phone and frowning. If Verna gets the feeling that David has some Work To Do Here, she might be getting that feeling for a reason.

Verna Gardner
Verna has a nice coat too. Maybe not as nice as David's, the wool mixed with cheaper threads. But she had it tailored so that it looks better than it really is -- a grey peacoat, now hanging next to David's in the coat room. But she did not follow his lead with what to wear under it. Tuxedo t-shirt? If only he'd let her help with the fashion a little. It might be of use to him. And she does so much want to be of use to him.

No, tonight she wore a high-waisted black pencil skirt with a sleek grey sweater that looks to be made of something shiny. Red boots, for a kick of some color.

She loves going out with him, really. It's less nerve-wracking, and he's also... just there. Being with him feels right. She doesn't have to send him a text just to make sure he's still alive. It helps her mood. A little.

He is busy, doing his thing. They're not really here just to have a nice night out, but then, when are they ever? She stays his quiet, reserved companion, watching him, watching the crowd.

David
It might be easy for David, or somebody else in David's position, to begin to take Verna for granted. She's always such a quiet shadow; a quiet, distressed little neatly turned-out inoffensive mouse of a companion - easy to ignore and easy to forget except David has a very difficult time. He's sensitive. He's sensitive and when he notices Verna watching him the way she does he always has a reaction, some visceral and guttural and tonight when he comes out of reading his notes and the frown leavens and his blue eyes rest on his childe, he shifts restively. Bony buttocks on leather. The leather creaks, the bony buttocks doesn't.

The question he asks when he asks it might seem abrupt, out of nowhere: as if it's something he's talked himself into asking with a lot of lead-up that he only thought about and never actually did. There's no easying into it. Just:

"So, erm... ghosts. How would you try to get at them?"

Verna Gardner
Her thoughts are broken up by her Sire's words, fleeing off somewhere, because his words are always so important they blot out everything else that might be going on. Except that this time...

"I... wouldn't? Because they don't..." Exist. Wait, no? She squints at him, whispers. "Are ghosts real?"

She'd normally expect someone to playing a kind of joke on her -- make the new kid believe in things that aren't real. But David's just not the type. He's too good for this world.

David
Oh, no. She's whispering again. His ears are mobile ears, sometimes: depending on his expression they rise or they fall and right now they fall a little and the lines around his eyes fan out as he squints back. The squinting makes him look sleepy, but he's not sleepy. Ruffled, sparrow bird. Punk sparrow bird.

"When did you decide they weren't real?"

Tam
Now is an excellent time for a stranger to come waltzing in out of the cold and interrupt the hell out of them.

Said stranger has the tall and handsome parts down but the 'dark' part is where he deviates from the script. Fair eyes and fair hair and his skin would be fair too if he were alive but he died shortly after this country was born and his fair skin has gone pale. Easy enough to overlook in the dark and with the proper application of vitae and so on and so forth and besides he isn't here to meet a mortal man.

He conquers the stairs and his motorcycle boots make him sound heavier than he is. Certainly give him more of a presence. As if he hasn't got a gravity about him already. He has.

They're whispering. He doesn't give a shit. He keeps his coat on and locks his eyes on the punk sparrow bird before ambling on over there.

Verna Gardner
About the same time she decided Santa Claus wasn't real, or the tooth fairy, or the monster in the closet. Except now she is that monster, so.

"Since science has provided no proof of their existence since the beginning of... science? They are apparently weightless, completely immeasurable by any instrument, lack energy or mass, and can be entirely explained by hallucinations?"

Verna shifts uncomfortably in her seat. It took her a long time to come to terms with what she became. Took many nights and a blood bond to even start accepting, if not really believing, that she had to drink blood. The unnatural doesn't come naturally to her.

"I mean. I'm not saying... Obviously there are things that I haven't been able to scientifically explain yet," she says. Yet. She will, just give her time, David. "Perhaps this is one of them. But... Extraordinary claims require extraordinary evidence, yes?"

David
"Wouldn't you say most of the breakthroughs in your field of interest fall under that headliner? 'Extraordinary claims'? I - " He is awkward. Of course he is awkward. He is often awkward around Verna. She probably wouldn't believe he could be smooth. He can be smooth. He has, on occasion, been known to be smooth and tenacious and even cunning. Diligent. Get things done. That was his reputation: new up and comer. Bit of a malcontent, but. It only takes one night.

" - I - " His eyelashes flicker. There's a tall blonde in stompy boots meeting his eye. " - I'm not being critical. I just want you to think about, uh. I mean, how would you go about trying to test for such things? And yeah, they do exist, but... I think this might be the book guy. Er, Peter Welch."

But David has the wherewithal to make sure, doesn't he? At least of somebody's mood. The punk Ventrue stares at Tam without blinking, sifting through the lounge's lights to see what halo bounces out of Tam's pale skin through his coat.

[I've never botched aura scan roll before.]

Dice: 6 d10 TN7 (1, 2, 4, 5, 5, 10) ( success x 1 )

Verna Gardner
"Well, I... I guess I'd need a ghost to study? And some equipment. I'm not going to say no," she says, because of course she isn't. She can't say no, even if she doubts very much that she'd be able to find ghosts.

Already, the gears turn in her head, because David has asked, and what he asks for, he will receive. Mass spectrometry, perhaps?

The book guy. Verna looks up to find this Peter Welch, and sees a familiar face. She's seen him before, the one who was setting up an all-night bookstore. Yes, of course, that would make sense, wouldn't it? That he would be mixed up in vampire business? He was nice, at least. Verna puts all the charm she can in a little, shy smile.

She also waits for her sire to do the introductions, because manners are important.

Tam
At least David doesn't mistake the book guy for something he's not.

The figure is not an unfamiliar one to Verna nor she to him. They did not exchange names with each other but she did leave the nascent shop with a copy of a book she's never read before. Call that one a win for both sides. His eyes flick to her in the low light and with that flick comes a spark of recognition though he's here on business and intends to stick to that business.

For now his mood remains his own. When he speaks his voice is deep and warm and carries with it the vestiges of his homeland. A country across the Atlantic. If he really wanted to he could affect the accent of this land but that's a want he's never thought to kindle.

"Evening," he says. "Pardon the interruption, this'll only take a moment. David, yeah?"

David
Discussion of the study of ghosts is put on hold, temporarily.

NERVOUSNESS LEVELS: CRITICAL. BEEP. BEEP. BEEP. CRITICAL LEVELS OF NERVOUSNESS. But David plays it relatively cool; he's often nervous. He does bat an eyelash again, and he shifts himself out of the leather chair. The chair goes creak. He offers a hand and watches Tam as closely as he can without seeming too obvious. This may or may not be that closely.

"Yes. Peter?" Given some confirmation, he does give cursory introductions. "This is my, erm, this is Rachel."

Courteous pause so Rachel Davidson can say her piece if she has a piece to say. Business is an art.

Tam
[i want to roll stuff! perc + aware.]

Dice: 5 d10 TN6 (3, 5, 5, 8, 10) ( success x 2 )

Verna Gardner
She nods her head slightly at David's introduction. "It's good to see you again," she says, eyes flitting to David and back. A subtle way for her to say 'yes, I've met this guy before, and he isn't too terrible'.

If 'Peter' shakes David's hand, Verna will offer her cool and dry and delicate hand next. She knows David's nervous about this man, perhaps it even creeps into her as well, but without bodily functions, it's hard to have sweaty palms.

Tam
One can't necessarily blame David for being nervous in this fellow's presence. Not when he radiates a quiet menace about him. Seems like one of those types who lives by the credo regarding the volume of one's voice in relation to the size of one's stick but he is quite a bit bigger than David and looks as if he can handle himself in a fight.

He isn't looking for a fight tonight. He's here about a load of books a certain someone needs to offload.

The only sign that something strikes him as amiss is the ghost of a raised eyebrow. It does not quirk high up but a muscle remembers what it is to twitch to indicate curiosity and they can both see that 'Peter' recognizes something in David.

Peter does shake David's hand. His grip is firm and his skin is cold. This does not change when he takes up Rachel's hand in turn.

It's good to see you again.

"Mm." An affirmative noise but no real word to follow it. He smiles and the action does not appear forced. Warm as his voice even if he does seem a bit of a bruiser. He's not a barbarian. "Might I borrow David for a moment? I'm feeling overburdened by money."

David
David checks his phone. In this age people check their phone all the time. It's innocent, checking the phone. It's even innocent, sending a text. It might be innocent, taking a picture, but David doesn't try for that right now.

Peter asked Rachel if she minded whether or not he borrowed David. David, for all his nervousness, does not give Verna any indication that she should use this courtesy as an excuse to keep him from wandering off. He looks at her, dolor in the eyes, and his phone goes back into the pocket of his slacks. The light glints on one of his earrings.

If -- are we kidding ourselves? Should it be when? -- Verna looks at David for a signal, he winks at her.

Verna Gardner
It's not really up to her, but Peter asks her. The first thing she does is look to David for guidance -- what should she do? He winks at her, which... doesn't say much.

"Oh, no, I... don't mind. I can leave if you need," she says, hoists her purse straps back on her shoulder. Peter might want privacy for this business, perhaps? Or just to even the odds. She's lying when she says she doesn't mind. She minds. Greatly.

She's about to slip off to another quiet place, but not even about to stop keeping an eye on David.

Tam
"Oh, no, I don't need."

And the response comes with a shadow of a smile across his eyes as if the idea is not only absurd but charming in its absurdity. From speaking to him at the bookstore the other night Verna ought to be able to say with some certainty that he's a helpful if not trustworthy sort but it's tough to make out the color of a man's sails from doing business with him for ten minutes. For all she knows he's a murderous psychopath who's come in here tonight to drag her sire out back and stake him.

File that away under things he doesn't have any interest in doing.

"We'll have to step out for a moment, actually--" He looks back at David. "--unless you've brought the lot inside."

David
"I'll be right back, Rach," David says. He cocks his head in a this-a-way manner at Tam. He's nervous, but it hasn't yet touched on his voice thickened it made it lilt. He's American, through and through.

This-a-way as it happens is the other side of the room. There's a bar, and behind the bar is a leather brief case David placed there earlier in the night. "You a Kerouac fan?" David asks during the long walk to the bar.

Verna Gardner
Her face falls a moment when she realizes they are going outside, and they are not taking her with them. Every time she and David get separated on a night like this, something awful happens.

She's not going to cling to her sire and protest, even though she greatly wants to. Instead, she forces a smile on her face and nods, 'letting' them go.

Trying to act like the calm, secure being she isn't, she watches them leave, and then watches the crowd. It would be so nice to have a drink right about now...

Verna Gardner
[Wits + Alertness!]

Dice: 6 d10 TN6 (1, 1, 3, 4, 6, 7) ( success x 2 )

Tam
Maybe he can remember what it was like to be young and to lack autonomy because his own sire was more concerned with everything in the world being capable of killing him than she was with allowing him his freedom.

Then again that night was over two hundred years ago. If he can remember it it is only with great forethought and good reason. In either case he's old enough that the concerns of the young woman sat at the table with a creature capable of using Auspex are beneath his own. They don't strike him as a threat and the fact that he strikes at least one of them as a threat is not much of a concern either.

So David assures Rachel they'll be right back. She is not assured.

'Peter' does not look back over his shoulder as he and David make their way towards the exit.

David
[And since Jamie has to go to work, Tam and David are just gone for a while. Thanks, Jamie!]

Part of being a vampire is being aware of the crowd, isn't it? The mob can come with pitchforks at any moment. Verna watches the crowd.

David and Tam leave through a door, David with his brief case. Good leather. A bloody brown, a richness warm as embers. The faux fireplace continues to flicker, not anywhere near enough to summon the Red Fear. Has Verna felt that yet?

The hum of the crowd has a different tone, now. Suppressed excitement, wonder. Noticement. They're noticing something and it's rippling outward. New people coming into the room.

Verna Gardner
New people. New people could be trouble, like Peter. Verna looks, not with excitement or wonder, but wary caution.

Could be Peter took her sire off to pull his attention from this? Or... something. She is learning to put herself at a distance from the crowd, to look upon them differently. What has the prey interested, hmm?

David
New people.

Three of them. The first, the one who most of the excitement seems to be revolving around, an older man with silver hair fog coloured hair and dark thick eyebrows, impeccably dressed in some dark plum sports jacket no tie a tasteful watch a straight hawkish nose just the slightest bit of a hook vaguely Hispanic bones, famous Alex Hernandez, an author of numerous NYT best sellers. Literary as fuck. The second, friend of the first, a man in his forties with a face like a shovel. Which is to say, hard lines, a sinister aristocrat: imperious jaw, imperious nose, imperious nostrils, imperious all along, but hard too: like this is a man who has worked in the mines. Blue eyes. Shock of blue eyes. The third, the youngest (of course) of the trio, a young woman with soft brown hair cut in spikes. They are all pale. It doesn't have to mean anything.

They are also drifting toward where Verna loiters. The place she and David had etched out for themselves is a good one, and she's the only one still staking a claim to it.

Verna Gardner
Claims can be jumped, especially when the claimant is jumpy. Verna notices, oh she does. Important people coming her way, and wanting her space? They won't get a chance to argue. She's so gracious, she is.

Still, there she is, watching with some anticipation to see what they do. Are they meeting with someone else perhaps? Might she not have to move?

David
Their conversation is animated.

Animated, Frankenstein-style. Given lustre, immortality, due to some electric spark; mad science, unnatural. Okay, the metaphor is running away:

Hard to tell what kind of animated from visual clues. Their conversation is animated, and the one who talks the most is the silver haired author. The aristocratic looking man (thug, bruiser; he could handle himself) is the one most obviously scanning their surroundings. This leaves the youngest, the young woman, to engage Verna directly.

"Do you have a large party; do you mind rather if we take your couch and chair?"

Verna Gardner
"Oh, no no, that's fine. I'll just," she says, and gestures over 'yonder'. Slips out of her chair and gives them a nervous smile. Her real thoughts are located elsewhere, to the outdoors, where David and Peter are discussing business, and where she wants to be.

Having excused herself, she walks off to find another place to lurk. That is what monsters do, yes?

All-Night Bookstore

Verna
In Winter, the nights last a long time. So far, Verna hasn't let herself freeze. She keeps the heat on in her car, and keeps up the ruse of having an internal body temperature by wearing her heavy, woolen, heather grey peacoat wherever she goes.

She has an anniversary coming up. Almost made it a year. Perhaps that's some comfort, one mark on the wall? And she hasn't caused any calamity, any mess, other than the one that killed her. The further she gets without being dragged off in the night with her sire, the better right? Surely.

This place shows up through asking the internet about it, not through talking with friends or her sire. An all-night bookstore. What better place to spend some time? To lose herself for a little while in a book of her own choosing. That would be so nice.

Tam
The only other place in the city where a body can access books at three o'clock in the morning belongs to Denver University and though it isn't strictly necessary on occasion the security guards will trawl the place looking for people who aren't supposed to be there.

This place hasn't been open very long. One moment the doors were boarded up and no signs graced the front. It's grand opening has not happened yet but that doesn't mean the lights aren't on and the door is locked. They are and it isn't.

From the street Verna can see no customers inside. One silhouette is inside near the back. Something almost inviting about it. Almost but for the fact that she knows what lurks in the shadows of this city and knows no place is ever truly safe.

Verna
Denver University hasn't been open to Verna since she was last alive. That is one part of town she can never return to. Political concerns and all that. Those concerns almost blot out the fact that someone might recognize her and wonder where she's been.

This place, though. Well, it looks open. Doesn't it? There are books? A test of the door swings it open, and she steps in. A normal human woman wouldn't spend ages out in the cold staring at a shop when it might be warm inside. So she doesn't do that.

"Hello? Are you open yet?"

Tam
The bookstore is not as cluttered or well-lit as it will be when it's fully functional. Part of the floorspace is occluded by plastic dropcloth through which the beginnings of a café appear as dim shapes and sawdust.

As for the owner (question mark) he does not have the appearance of one who would own a bookstore but it's hard to tell with some folks. He's tall and dressed in layers of winter clothing that only add to his bulk. A ski cap pulled over long blond hair. Somewhere in his thirties his features stripped of their youthfulness though in the flash of a moment that they regard each other from across the room she can see some species of adventure not yet gone extinct in his eyes.

Are you open yet?

When he answers it's with a faint English accent. As if he's been in this country a long time but slow to shed the vestiges of his homeland.

"We can be," he says and sets down the project he had had in hand to face her more fully. "Are you looking for anything in particular?"

Verna
Everything seems extinct in Verna's eyes. They're dark, forlorn things, and yet she pastes a smile on over it all when he says that the store can be open.

She shrugs underneath layers of clothing, eyes the shelves. "Fiction? I guess?" Escapism. "I've always been fond of Tolkein." Nerd.

At three in the morning, a woman arrives in the shop before it's properly opened. Wants a fantasy of some kind to focus on instead of her life. Stranger things have happened, yes. Is it too weird, though? Verna starts re-thinking the idea of coming here, but it's a little late for that.

Tam
"Ah, Tolkien. Do you know, when it was first published, everyone in the world proclaimed The Hobbit the best children's story of the century?"

It doesn't sound as if he's going to refute the assertion. That's the start and end of that thought. He allows himself to become distracted by setting off into the half-filled stacks. The hems of his coat flapping behind him as he does so with an air of purpose.

"I may have a couple copies floating around here somewhere, unless you're looking for a different title?"

Verna
"Maybe... something different? I read The Hobbit when I was little, you know. And then, later, The Lord of the Rings," she says, riffling through memories. Reading them again would just remind her of Dad making Smaug noises that much more.

She walks in a bit more, to peer at the shelves more closely, trails her fingers down the titles of one row. "I've heard of... A Game of Thrones? Or maybe, you have a suggestion?"

Tam
"Oh, I can't say as I'm a fan of A Game of Thrones."

If she were to make anything of his pallor or the fact that he's wearing winter clothing indoors Verna might be in a better position to glean into the statement. A vampire who doesn't care for a series known for its violence and political machinations. What are the odds.

"If you haven't read the Earthsea series by Le Guin, I would highly recommend it."

Verna
"Earthsea," she says, pausing before a block of self-help titles. The Power of Positive Thinking, she reads off of one spine, and it almost raises a sardonic smirk out of her. "I've heard of that too."

"About wizard children. Or something, right?"

Or something.

Verna feels very far away from being a wizard. She could wish to be the kind of person whose problems are solved with the right incantation, maybe. Dream of it. Just have everything go away? Oh, she has powers now. She can tell David's ghoul to sit down and stand up. They figured out that much so far. It can get her out of small troubles, with mortal people, perhaps.

"That sounds nice. I haven't read that series yet."

The Scientist and the Priest

Verna Gardner
Ahh, art galleries. Verna visits them so much these nights that the art itself tends to blur together along with the people she drinks from. That is, unless the art is strange enough. Gildar Gallery is showing an exhibition by Amber Cobb, with sculptures of black horses drowning in gooey white glue, and flesh-like blankets suspended from the walls in folds.

She turns around a corner, these walls plastered with pink, siliconed bath mats made to look like rippling skin, the smell though -- distinctly plastic. It reminds her of something, some uneasiness.

She still doesn't wear heels. Always those same soft leather boots that she died wearing -- this time paired with a burgundy sweater and black skirt.

Trace
And who should be around that corner but her Romeo from the botanical garden.

Stood in all his tall lanky ginger glory it may take her a moment to recognize him as the madman she met several moons past. He wears trainers and dark jeans and a blazer overtop a t-shirt. Keeps his hands in his pockets. The island from whence he hailed in life helps to hide the pallor with which Death has cursed him.

But that is him.

Verna has about three seconds to decide to turn around before he spots her in his periphery.

Verna Gardner
Oh. Oh dear. Another of the walking dead. She wasn't exactly slacking at the putting up of a brave face before. But now? She has to try extra hard to be normal, to appear cool and calm and collected. It's a question: can she? She swallows the nothing in her throat, and takes a needless breath, deciding that she can.

She tries to meet his eyes from across the way, and gives him a smile.

"Hello. I remember you -- from the botanical garden. It is nice to see you again," she says.

Trace
He turns towards her. In the space of several seconds his expression morphs from thoughtful to neutral to something like pleased. Seems he remembers her too.

"Rachael," he says. "Is this not a wonder? How are you, tonight?"

Verna Gardner
"Fine," she says, and it comes out a bit too fast. People always say they're fine when they're the furthest from it, don't they?

"I'm doing well. You?"

She maintains the smile, even though what's going on behind it isn't so nice. Is he going to start saying anything... weird now? Well. At least now she knows an approximate reason for it.

Trace
[perc + empathy: lol ok]

Trace
Dice: 6 d10 TN6 (2, 2, 3, 7, 9, 9) ( success x 3 ) [Doubling Tens]

Verna Gardner
[Manipulation + subt = yes, ok.]

Dice: 5 d10 TN6 (2, 7, 7, 9, 9) ( success x 4 )

Verna Gardner
[She's totally doing well, Trace. Nothing bad going on. Totally.]

Trace
[CURSE YOUR SUDDEN YET INEVITABLE BETRAYAL, DICE.]

Trace
If it's any consolation Verna Gardner is not the first person in the world to ever lie to a priest. The secondary consolation if that one isn't enough is that he isn't a member of the clergy anymore. He's a Malkavian. If he ever was a member of the clergy one could sure as hell hope he doesn't still have a congregation to look after.

The last time they met it was in a low-lit orangery and it had been easy enough to mistake him for human until he opened his mouth. Now that they're in a stark-lit sparse-populated gallery late at night it's easier for her to see that there isn't much in the way of signs of life in this one. Not when a body knows what it's looking for.

"All goes well," he says. "I have my health, and I have my soul, and I have the living to thank for this mercy."

So she has one person fooled. That just means he wants to know what Fine looks like.

[auspex 2: ENGAGE.]

Dice: 6 d10 TN8 (2, 2, 3, 3, 4, 7) ( success x 1 ) [Doubling Tens] [WP]

Verna Gardner
He tries, and he doesn't get much. She's definitely sporting the pale hue of Kindred, but he can't quite pick up even a color.

Fine looks like Normal -- the very thing Verna is trying so hard for.

Trace says he has the living to thank for his health and soul, and thus the weirdness starts. She nods, because that statement is technically true, and she's trying to gain an acquaintance here.

"Don't we all."

Trace
A stunted nod. A consideration. It's easy enough to mistake the mad for slow on top of all of that but there's a sharpness to his eyes that suggests he sees plenty most would just as soon as he didn't.

On a typical night he picks up on things like other people's feelings and other people's states of being. Everyone has off nights. To Verna he must always seem Off. It doesn't help that he doesn't blink. Doesn't fidget. Doesn't do anything that would indicate he's got a pulse and appetites.

They all have appetites. Don't they all.

"That was a rhetorical question," he says. A hint of triumph in his tone. Recognition. Look who's got at least one foot in the door between Reality and La La Land. "Would you care to walk with me, a ways?"

Verna Gardner
He's looking at her so very intently, it almost threatens to ruin the whole Normal thing. But no. She's got the sense not to give anything away, and just presses the lipstick between her lips, tilts her head, nods.

"I would like that, yes."

She takes up a position at his side as he offers it, glancing down the hall at the... curtain things. There's a table at the end with some adorable sheep drowning in goo. Her eyes flit to that for a while.

"It's an odd sort of exhibit they have tonight. Very... pink."

Trace
He takes a step away from the piece he had been considering and begins to walk towards not the front door of the gallery space but the back. That isn't the way they're supposed to enter and exit but then again they aren't even supposed to exist according to the laws of nature.

"Is it odd?"

As if he has no way of knowing. As if squares of blanket and bedding covered in acrylic is a normal sight for him. Nothing odd about animal figurines covered in melted plastic. As if they're walking through the pieces of a little girl's memory. The set pieces from a retired production of The Glass Menagerie. Something off about it even as the title and the colors suggest a sense of comfort.

Tracy does not know a damned thing about art.

Verna Gardner
He starts heading for the back door, and Verna follows, a little confused -- but still compliant. Maybe he means to speak of something a little more privately. Who can say?

"Oh. Just a little strange, that's all. Fuzzy pink plastic. Who comes up with these ideas?"

Amber Cobb does.

Trace
Thinking that he had any real intention when he chose the back door would imply that he doesn't at times suffer from a touch of spatial disorientation. For all she knows he thinks the back door is the front door. It dumps them out into an alleyway instead of the sidewalk. That could have been the way he came in.

"Those with skillful hands and craftsmanship. Perhaps some of the Spirit. Amber Cobb."

He's so funny Verna everyone can understand why you would want to spend time with him.

Verna Gardner
She doesn't really want to go out into the alley. The last time someone dragged her out of public and into the dark between buildings, it was Jon Marc, and he almost... whatever it was he was thinking of doing, it wasn't nice. Torture probably.

So, it's with unease that she passes over the threshhold. Trace isn't grabbing her and demanding obedience. He just asked politely. That's a good sign, right?

"Mmm. Yes," she says, smiles at his little joke.

"Why are we in the alley now?"

Trace
That isn't a question he was expecting but it doesn't catch him by surprise. Gives him something to stop and think about.

"How else are we meant to leave the building?"

So he did not enter the gallery through the main door. Sorted.

Verna Gardner
Okay, finally she gives him a look. It's one of disbelief. Did he really just ask that?

"Through the front door, usually. Sometimes the back ones have alarms," she says, though this back door obviously didn't.

"I don't really like back alleys. They're... dark."

Even in the nice, artsy area of the city, this is just somewhere you go to throw things away and do things you don't want anyone to see. It might be different if Trace were, as she once assumed, a potential victim.

Trace
"Would you like to go back?"

He actually stops walking there. They're about halfway through the alleyway and he's kept his hands in his pockets. No notion that he sees anything wrong with the fact that they're in the dark and it's cramped and shadows overcome any semblance of sight. He is a tall man who the shadows love. Even though he is skinny and ginger no one would mess with him. He walks as if he knows himself to belong exactly where he is in that moment.

And he actually sounds like he cares about her answer.

Verna Gardner
She keeps up with him, at least. And when he asks if she'd like to go back, she shakes her head. "No. Maybe out. That place was pretty empty. I couldn't find... What I was looking for."

Food. Someone to take back to a place like this, so she can do what needs to be done.

Trace
Therein lies the motivation for the Malkavian asking if she would like to take a walk with him. Though said motivation lies occluded by his madness their last meeting is slow to leave his mind. He can remember what it was to be new. His circumstances were a bit different than hers but they have not yet reached the point in their blossoming alliance where they have started asking each other personal questions.

So they stop. She shakes her head. He nods his.

"I'll be as a lamp to your feet," he says. "Just follow me."

Verna Gardner
And so she does. None of the little nagging fears that he might be leading her into this place for nefarious reasons have yet borne fruit, so perhaps they will stay that way.

"Are we going anywhere in particular? Or just walking?"

She could go either way, doesn't give either of the options any weight or nuance that suggests she might want one over the other.

Trace
The Malkavian cannot read her. This means he has to ask questions. With the conversation revived the walk back to the sidewalk passes without incident. They join the thin late-night foot traffic and walk on.

"Did you come out tonight to bear witness to the fruits of an artist's labor, or did you intent to hunt?"

Verna Gardner
"I intended to hunt, yes. Sometimes, it's both, you know. I didn't really care for that gallery though," she says, little lift of the mouth to one side. She's just too good for that place, right?

"You?"

They're out on the sidewalks now. There are people again, and it's a bit distracting. But they're all people on their way somewhere else, people she can't just drag off somewhere.

Trace
"I am guided, and my desires are satisfied in scorched places, and my bones made strong, for I am as a garden whose waters do not fail."

Oh. Okay.

Verna Gardner
"That's... from the Bible? What does it mean?" she asks, because she really doesn't have a clue what he meant by that.

Maybe he meant for her to shut up. It didn't work, if that's the case.

They walk past a brightly-lit shop selling gourmet pizza. Somehow, Verna's not yet gotten around to mourning the lost pleasures of life. The pleasure of blood is pretty strong anyway, and she's fairly certain that even if she were still alive, the best food would taste like ashes right about now.

She does look into the window though. No clue what she's really thinking. Maybe just looking at her own reflection.

Trace
Asking a Malkavian what they mean is always a dicey proposition. This particular Malkavian has his hands in the pockets of his blazer and is looking out at the world around them rather than giving Verna the impression that she has even a sliver of his attention and in part that is because he is not a dextrous creature and in part because he is alert.

He catches her looking either at her reflection or through the mirror and into the restaurant. He follows her gaze. At least he has a reflection to cast behind her. Thin as it is she can make nothing of the cast to his gaze. If she looks back at him by the time she has he has returned to keeping an eye on the street around them.

"The gallery provided for me all that I may have needed. The body and the spirit, sated."

The implication of his previous statement being that this is not a sometimes situation for him.

Verna Gardner
"Ah. You find good luck in the 'scorched places' then. Make your own luck, I imagine," she says, as they walk along. It's not hard to imagine. The older ones all seem to know the right ways of getting what they need.

It would be nice, that. She's asked David to teach her something that might make it all a bit easier. Maybe he will.

Trace
"Our own luck is the only luck we have left. The Father of lights has never known shadow. Every gift we find here came from above, and there will be no more. He took away His providence when Cain slew his brother. Our God is in the heavens, and he does as he pleases without concern for us."

As they walk they start to hear the cacophony of smokers huddled outside a nightclub. Soon after will come the thump of music.

Verna Gardner
He speaks as if God has abandoned them. To an athiest, this does not exactly mean much. Verna has always lived in a world where God or His abandonment didn't matter.

"Oh."

She walks along a few paces, remembering this man used to be a priest. He said something similar on their first meeting, didn't he?

"If God never interacts in this universe anymore, how would you know if he existed?"